Best of both worlds...
Coke vs Pepsi. Mac vs PC. Lakers vs Celtics. Can't we all just get along?
When it comes to shooting HD video with us, you don't have to take sides anymore.
Both the P2 and XDCAM formats have their advantages, so why not use what
works best for your field shooting and post-production workflow?
Follow the links below to see which of our cameras fits your needs.
The Sony PDW-700 has proven to be an industry workhorse, providing a variety of
HD and SD formats and frame rates in a form factor that is familiar to us pros.
If you have watched CBS' 60 Minutes, Survivor, or Sunday Morning, you have seen
this camera in action.
The XDCAM optical disc technology is also the preferred format for ABC News, although
they currently
still use the SD DVCAM codec in 16x9.
For more details about the PDW-700, click here.
The Panasonic HPX3000G also offers a fantastic combination of HD and SD codecs
and frame rates in a rugged, shoulder-mount body. No hunting for menu settings
using buttons made for pre-schoolers. This is a tool built for professional shooters.
With five cards slots and high-quality Canon optics,
it puts other P2 cameras
to shame.
For more details about the HPX-3000G, click here.
